Our History

OUR HISTORY

The National Archaeological Museum of Reggio Calabria has been recognized as one of Italy’s most prestigious archaeological museum institutions, following the autonomy established by the MiBACT Reform of 2014.

The building that houses it is among the first in Italy to be designed exclusively for museum exhibitions. It is named after Marcello Piacentini, one of the leading exponents of early 20th-century architecture, who conceived it with a modern approach after visiting the most important museums in Europe. Located in the heart of the city, the Museum is an essential element of Reggio Calabria’s landscape and daily life. On one side, it faces the central Piazza De Nava, while on the other, it overlooks the “I. Falcomatà” waterfront, offering a stunning view of the Strait.

The National Archaeological Museum was born from the fusion of the State Museum with the Civic Museum of Reggio Calabria, the latter opened on 18 June 1882 to house the numerous archaeological finds from the area. Its seat was initially on the premises of the Municipal Library, but as the collections grew, between 1887 and 1889, it was moved to a building next to the Roman baths, which had just been discovered at the time. During the earthquake of 1908, the Civic Museum building suffered extensive damage, so the process of establishing a National Archaeological Museum was accelerated, strongly desired by, among others, Paolo Orsi, who was appointed the first Superintendent of Excavations in Calabria in 1907. On 22 May 1948, an agreement was signed between the Municipality of Reggio Calabria and the General Directorate of Antiquities of the then Ministry of Public Education, which provided for the latter’s use and acquisition of the collections of the Civic Museum, which was thus abolished.

Partially opened to the public in 1954 and inaugurated in 1959, the Museum has undergone major transformations over the years. In 1981, the underwater archaeology section was set up to give adequate visibility to the Riace Bronzes, considered among the world’s most significant masterpieces of Greek art. Before the most recent reorganisation, which completely changed its internal layout and exhibition itinerary, the second floor housed the precious collection of paintings belonging to the Civic Museum, which can now be admired in the nearby Municipal Art Gallery.

In November 2009, the Museum was closed for restoration and finally reopened to the public on 30 April 2016. The main element of the current layout is the new inner courtyard, covered by a transparent glass ceiling, supported by a technologically advanced structure. Thanks to this technique, the atrium is flooded with light. The basement of the Palazzo Piacentini houses two large rooms for temporary exhibitions; inside the long side corridor, there is a lapidarium. The MArRC also has an internal archaeological area: a strip of the large Hellenistic necropolis discovered during the construction of the building.

The Necrópolis Helenística

During the construction of the National Archaeological Museum of Reggio Calabria in 1932, one of the necropolises relating to the settlement of Rhegion from the Hellenistic period came to light. The large burial ground must have developed in today’s Piazza de Nava and was connected to another area for funerary use, located in the nearby area of Santa Lucia, near Via Veneto. The excavated tombs, about 100 in number, belong to several types. From simple ustrina (remains of incineration on a pyre) in ‘box’ burials to more elaborate ones such as brick chambers with a barrel vault or with a ‘folding’ tiled roof.

The necropolis is dated between the 4th and 2nd century B.C., but the presence of older material has led to the assumption that the area was used for the same purpose as early as the Classical period. Some finds from the burials are included in the new exhibition route (level E).

The Lapidary

The artefacts that make up the lapidary come from a nucleus donated by the Reggio Calabria Civic Museum, subsequently enriched by the findings of the numerous archaeological investigations conducted in the area. The section, located on level E, exhibits monumental inscriptions, marble bases and numerous architectural and decorative devices of various eras, capitals, and column shafts which belonged to various buildings of the Greek and Roman cities of Calabria.

The Deposit

The storage rooms are located in the basement and they keep the materials from the old civic collections, those from archaeological investigations in the region and from chance finds, subdivided according to geographical origin and contexts, with a subsequent division according to excavation years.

The Photography Laboratoy

Located on the top floor of the building, the photographic workshop is equipped with state-of-the-art equipment for the documentation and photographic reproduction of artefacts. The recording of images of the objects is necessary, in addition to the inventorying, documentation and monitoring of their state of preservation. The laboratory also houses the museum’s photographic archive and preserves the memory of individual artefacts and contexts through images.

The protagonists

  1. 1
    Monsignor Antonio Maria de Lorenzo

    Monsignor Antonio Maria de Lorenzo (1835-1904), a pioneer of archaeological research in Reggio Calabria, was one of the promoters of the establishment of the Civic Museum, of which he was the deputy director when it opened in 1882. From the same year, he conducted systematic archaeological excavations in the city area and contributed to the publication of all the data collected during his investigations. His research work, of fundamental importance for the knowledge gained about the urban area, was the basis for the production of the first archaeological map of the city of the Strait, a document compiled in 1893. He became Archbishop of Miletus in 1889 and concluded his work in the city of Rome with the title of Archbishop of Seleucia and Consultant to the Congregation of Indulgences and Sacred Relics.

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    Paolo Orsi

    Paolo Orsi, born on 17 October 1859 in Rovereto (TN), became Inspector of excavations, museums and galleries in Syracuse in 1888, a job that allowed him to deal with the Greek colonies in Sicily. At the same time, he was responsible for the start of the great season of discoveries in Locri, he also became Director of the museum in Syracuse and became Regent of the Royal Museum of Naples. Having matured his knowledge of the Calabrian territory and realising the need for protective measures, he asked the Ministry to set up a Museum in Reggio Calabria and an autonomous Directorate of Excavations in Calabria, of which he became Superintendent a few years later. Among the numerous field studies he conducted were those in Locri, at the Mannella sanctuary and the temple of Casa Marafioti, in Canale and Janchina and at the Heraion of Capo Colonna. Together with Umberto Zanotti Bianco, he participated in the activities of the ‘Magna Grecia Society’; he also promoted the foundation of the ‘Historical Archive for Calabria and Lucania’. In the autumn of 1934 Orsi returned to Rovereto where he died the following year.

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    Edoardo Galli

    Edoardo Galli was born in Maierà (CS) on 3 May 1880. After finishing his studies in Rome, he became Deputy Secretary and Inspector of the National Museum of Bargello in Florence in 1907, then moved on to the Topographical Museum of Etruria, of which he became director. In 1924, he was entrusted with the ‘single’ Superintendency of Antiquities and Mediaeval and Modern Art in Calabria. In the following year, the Bruzio-Lucana Superintendency was established and he became its Superintendent until 1936. Thanks to the intervention of the Magna Grecia Society, he continued his studies of the Doric temple of Metapontum, known as the ‘Tavole Palatine’, and began a research programme in the Plain of Sybaris, which led to the identification in 1932 of the Copia colony. His fervent research activity focused on the indigenous sites Francavilla Marittima, Amendolara, the theatre of Gioiosa Marina and archaic Crotone. In Reggio Calabria, he brought to light a necropolis from the Hellenistic period discovered during excavation work for the construction of the Museum. He is credited with the establishment of the Royal National and Central Museum of Magna Graecia in Reggio Calabria. In 1936, he was transferred to Ancona as Superintendent of the Abruzzi and Dalmatian Marches. Assigned to the Library of the Institute of Archaeology and History of Art at Palazzo Venezia, he moved to Rome in 1946. He died in Rome in 1954.

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    Paolo Enrico Arias

    Paolo Enrico Arias was born in Vittoria (RG) on 17 July 1907. After completing his studies at the Scuola Normale in Pisa in 1934, he became an inspector in Ragusa. He became Superintendent in Calabria in 1939. His first activities in the area saw him active in Rosarno and Locri, continuing Orsi’s studies. Thanks to his knowledge of theatre architecture, he identified the theatre in Locri near the Casa Marafioti temple. In 1946 he was transferred to Bologna and worked to reactivate the office after the war; two years later he was professor of Greek and Roman history at the University of Bologna. He returned to Sicily where he won the competition for full professor at the University of Catania. In 1962, he took up a post at the Normale in Pisa where he became deputy director and set up the special school for archaeologists. For his scientific merits he was appointed a member of the National Council of Cultural Heritage and a member of the Accademia dei Lincei. He died in Pisa in 1998.

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    Alfonso De Franciscis

    Alfonso De Franciscis was born in Naples 7 November 1915. He graduated from the University ‘Federico II’ and attended the Italian Archaeological School in Athens between 1939 and 1940. In 1949, he became an archaeological inspector at the Superintendency of Antiquities in Naples. In 1954 he was appointed Superintendent in Reggio Calabria where he remained until 1961, during the same years he was appointed Professor of Archaeology and History of Art at the University of Messina. During his stay in Calabria he reorganised and inaugurated the exhibition of the Museum of Reggio conducted excavations in Reggio, Crotone and especially in Locri Epizefiri where he recovered the bronze tablets from the archives of the temple of Zeus. In 1961 he became Superintendent of Antiquities in Naples, professor at the Federico II University and Director of the Institute of Archaeology. Among his many activities, he worked on the Villa of the Papyri, brought to light the remains of the Augustan temple at Pozzuoli; at Herculaneum he led excavations of the decumanus maximus and the construction of a new Antiquarium. In Pompeii, alongside numerous excavation activities, he focused his scientific attention on the instrumentum domesticum. He founded and directed the magazines ‘Klearchos’, ‘Cronache pompeiane’, ‘Apollo’ and ‘Campania sacra’ for many years. He died in Naples in 1989